Last August, I was invited by Jonathan Moscone (artistic director of the California Shakespeare Theater) and Deborah Cullinan (executive director of Intersection for the Arts) to help develop the partnership they had formed. After a successful collaboration some years ago on Hamlet: Blood in the Brain, Cal Shakes and Intersection wanted to work together on something larger than creating one new play; with a generous grant from the Andrew Mellon Foundation in-hand, the staff from both organizations had been meeting for some time to determine what this partnership would look like. They had some goals and projects in mind but it was proving harder than they had expected to get started: The two organizations worked in very different ways, both staffs were tremendously busy with their regular work, and little things like different calendar systems and big things like different approaches to season planning were all adding up to insurmountable.
With so much conviction from the leaders of both organizations, and so much talent on the two staffs, I knew it wouldn’t take much to unlock the potential of this partnership, but one thing was puzzling me: I didn’t know what to call the project. What started out as a minor administrative question—what should I write on my file folder? What should I name the folder in my computer?—quickly emerged as a key issue we needed to address. As Shakespeare can tell you, the names of things matter very much, and if you can’t name something, you may not know yet what it is.
Many meetings later, while deep in discussion of the kind of community relationships we wanted to create, I found myself drawing a triangle, showing the connections between a theater, artists, and community members. “That’s it!,” Jonathan exclaimed. ”That’s the name!” Thus was born the Triangle Lab. A lab (because we’re experimenting) and a triangle because we are examining the triangular relationship between artists, institutions, and communities. We want to find ways to strengthen each side of the triangle and to make sure we are putting equal value on each of the corners. This name proposes that we always consider the community that a play might engage as much as we consider what artists we’re working with, and that we carefully work to connect artists to communities at every stage of the process.
The goal of the Triangle Lab—now a program run jointly by Cal Shakes and Intersection for the Arts—is to learn how to “make theater together,” that is to say, how to make theater with arts organizations, artists, and community members working in close collaboration, as equal partners. We’re aiming to expand whoparticipates in theater-making and how they participate.
Our first experiments will invite people, in many different ways, to tell the stories of their places (their homes, the places they come from, the journeys that have brought them to the place they now call home). These experiments will surround and enrich two productions of work by artists who deeply explore place. Spunk (the second show in Cal Shakes’ 2012 season) showcases Zora Neale Hurston’s intricate stories of African-American life during the Harlem Renaissance while Allelulia (to be produced at Intersection in 2013 with Jonathan Moscone directing), by distinguished playwright Luis Alfaro, traces a journey up Highway 99 from Disneyland to San Francisco. Though these plays are stories by renowned artists, in the Triangle Lab we believe that everyone is a storyteller—we want to invite as many people as we can to tell stories about theirplaces. Stay tuned for more information on how you can participate in this exploration.